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Talk about the Watchmen comic book mini-series and film
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PostPosted: Thu Mar 12, 2009 2:55 pm 
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Kovacs86 wrote:
tbone wrote:
I agree that the movie as a stand alone is good-ish, but thats because I watched before I read. I don't think I will be able to watch it again without hating it a little as I am enjoying the book so much more. I personally prefer the Evey character in the book, and the killing of the religious character, forgive me for not remembering his name was so much better in the book.


If you mean the priest guy, yeah, they fucked that scene up in the film, with Evey deciding to run away. That really bugged me. The character seemed to entirely change for the film, but so did most of the characters to be honest. It was crap...


Thats exactly who I meant. The only characters death who I thought was done vaguely accurately was Plastinov's in my opinion.

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PostPosted: Mon Jan 24, 2011 5:55 pm 
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Finally read this. Here's my first impressions:

1. The art sucks. It's sloppy, inconsistent, and just looks like Lloyd couldn't care less. It was like all he had was a four year old felt tip marker and decided, "fuck it, I'll use this" and then drew everything as fast as he could. My hat is off to Alan Moore, because if it wasn't for his prose, I would have put it down 30 pages in.

2. The story. Definitely a little confusing, but that's Moore. I think if Lloyd's art was more consistent it would have been easier for me to remember who was who by sight, but most characters looked different panel to panel. Like Watchmen, I think V for Vendetta has some stand out chunks or chapters that are probably some of the best writing in comics. I know I need to let it sink in a re-read it. Had to with Watchmen, so all is forgiven there. What I understood, I liked.

So, after first read, I give it a 3 out of 5.

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PostPosted: Tue Jan 25, 2011 10:34 am 
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DoomsdayClock wrote:
The art sucks. It's sloppy, inconsistent, and just looks like Lloyd couldn't care less. It was like all he had was a four year old felt tip marker and decided, "fuck it, I'll use this" and then drew everything as fast as he could. My hat is off to Alan Moore, because if it wasn't for his prose, I would have put it down 30 pages in.


I'm gonna go and defend Lloyd simply because his introduction to the TPB is fucking awesome.

Lloyd's art gets hurt because a lot of the usual habits of Moore, the small panels, the lack of size variety between them, the choice of the color palette. Moore has deffinitely improved now, but back in the 80's he had a lot of troubles with page distribution.

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PostPosted: Tue Jan 25, 2011 11:37 am 
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feliciano182 wrote:
Lloyd's art gets hurt because a lot of the usual habits of Moore, the small panels, the lack of size variety between them, the choice of the color palette. Moore has deffinitely improved now, but back in the 80's he had a lot of troubles with page distribution.


I have to agree with this, although the art's not my favorite, I don't think it was THAT bad.

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PostPosted: Tue Jan 25, 2011 12:50 pm 
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I thought the art made it better. Maybe it's because I have such good eyesight..

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PostPosted: Tue Jan 25, 2011 1:34 pm 
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I don't get why people bash the art. It fits the tone of the book perfectly, and besides there's so much more that goes into a comic book's art than its style. You wouldn't say a film director was bad just because he used a lens you don't like.

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it was tying it into the rape-revenge stories and making light of a verys erious sub-genre that kind of offended me.


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PostPosted: Tue Jan 25, 2011 2:18 pm 
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feliciano182 wrote:
Lloyd's art gets hurt because a lot of the usual habits of Moore, the small panels, the lack of size variety between them, the choice of the color palette. Moore has deffinitely improved now, but back in the 80's he had a lot of troubles with page distribution.

In point of fact, Lloyd was the initial driving force behind V For Vendetta, having specifically been commissioned by the editorship of UK Warrior comic to devise a new character/strip for the publication; Lloyd himself suggested Moore be his collaborator hence the writer came on board at the chosen artist's behest. Under such circumstances, I would imagine that Lloyd pretty much had artistic free reign (he devised V's distinctive appearance and suggested the absence of traditional speech bubbles) and would have formatted the artwork as he saw fit. Furthermore, V For Vendetta was originally drawn and printed solely in black and white in Warrior, only being 'colourised' by DC when reissued and then concluded three years after original publication.


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PostPosted: Tue Jan 25, 2011 2:47 pm 
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Writer Of Wrongs wrote:
feliciano182 wrote:
Lloyd's art gets hurt because a lot of the usual habits of Moore, the small panels, the lack of size variety between them, the choice of the color palette. Moore has deffinitely improved now, but back in the 80's he had a lot of troubles with page distribution.

In point of fact, Lloyd was the initial driving force behind V For Vendetta, having specifically been commissioned by the editorship of UK Warrior comic to devise a new character/strip for the publication; Lloyd himself suggested Moore be his collaborator hence the writer came on board at the chosen artist's behest. Under such circumstances, I would imagine that Lloyd pretty much had artistic free reign (he devised V's distinctive appearance and suggested the absence of traditional speech bubbles) and would have formatted the artwork as he saw fit. Furthermore, V For Vendetta was originally drawn and printed solely in black and white in Warrior, only being 'colourised' by DC when reissued and then concluded three years after original publication.

In criticizing Lloyd's choice of art style, I am by no means discounting the man's talent or his role as a pivotal creative force in the crafting of the character of V or his heavy contribution to the development of the story. In fact, the design of the character of V is brilliant, and Lloyd's cover art very attractive.

I am aware that DC colorized the original art, and the reason I took so long to read the book was because I have been trying to find a copy in the original black and white. I think keeping the book in black and white would have helped the art, but it wouldn't have help Lloyd's choice of "too thick" lines and a style that looked like it was drawn in haste with little care.

I don't think Moore can be blamed, because Gibbons had to deal with the same idiosyncrasies and crafted a seamless product.

To me, in order for a graphic novel to be a tour de force, the story and the art must be both equally exceptional and complement each other. Watchmen, Maus, Marvels, Palestine - to name a few, fit those criteria. V for Vendetta does not.

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PostPosted: Tue Jan 25, 2011 5:18 pm 
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Writer Of Wrongs wrote:
In point of fact, Lloyd was the initial driving force behind V For Vendetta, having specifically been commissioned by the editorship of UK Warrior comic to devise a new character/strip for the publication; Lloyd himself suggested Moore be his collaborator hence the writer came on board at the chosen artist's behest. Under such circumstances, I would imagine that Lloyd pretty much had artistic free reign (he devised V's distinctive appearance and suggested the absence of traditional speech bubbles) and would have formatted the artwork as he saw fit. Furthermore, V For Vendetta was originally drawn and printed solely in black and white in Warrior, only being 'colourised' by DC when reissued and then concluded three years after original publication.


Even the idea of V came from Lloyd, Moore was checking one of the latter's journals and found a paragraph where he said they shouldn't burn Guy Fawkes on every 5th of November, but rather they should be thanking him for the attempt.

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PostPosted: Wed Apr 20, 2011 9:49 pm 
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Garfed wrote:
Personally, I am in a very long time on the same boat. Like a movie, not read the graphic novel, do not understand why so many fans hate Alan Moore movie...

Alan Moore the Movie was overrated.

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Dr. Brooklyn wrote:
it was tying it into the rape-revenge stories and making light of a verys erious sub-genre that kind of offended me.


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PostPosted: Thu Apr 21, 2011 3:33 am 
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AYBGerrardo wrote:
Garfed wrote:
Personally, I am in a very long time on the same boat. Like a movie, not read the graphic novel, do not understand why so many fans hate Alan Moore movie...

Alan Moore the Movie was overrated.


it's worth a watch, if you have a spare £6.50 lying around
http://www.amazon.co.uk/dp/B0025V4U0S/r ... B0025V4U0S

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PostPosted: Thu Apr 21, 2011 6:36 am 
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I was actually referring to the lauded Simpsons spin-off in which he fought crime with Art Spiegelman and Daniel Clowes.

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Rubbish.

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Dr. Brooklyn wrote:
it was tying it into the rape-revenge stories and making light of a verys erious sub-genre that kind of offended me.


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PostPosted: Thu Apr 21, 2011 6:45 am 
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Jolly japery aside, the Alan Moore film is actually on its way...


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PostPosted: Thu Apr 21, 2011 6:51 am 
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AYBGerrardo wrote:
I was actually referring to the lauded Simpsons spin-off in which he fought crime with Art Spiegelman and Daniel Clowes.

Image

Rubbish.


Wow, a picture with a bunch of WCM memes and not a single one that I've created.
i dont get it

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PostPosted: Thu Apr 21, 2011 9:52 am 
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Smutty wrote:
AYBGerrardo wrote:
I was actually referring to the lauded Simpsons spin-off in which he fought crime with Art Spiegelman and Daniel Clowes.

Image

Rubbish.


Wow, a picture with a bunch of WCM memes and not a single one that I've created.
i dont get it

Image

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Dr. Brooklyn wrote:
it was tying it into the rape-revenge stories and making light of a verys erious sub-genre that kind of offended me.


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PostPosted: Thu Apr 21, 2011 10:10 am 
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AYBGerrardo wrote:
I was actually referring to the lauded Simpsons spin-off in which he fought crime with Art Spiegelman and Daniel Clowes.

Image

Rubbish.


I can't help but feel like your choice of picture and the use of the name B.J. Novak are some how supposed to be connected...

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PostPosted: Thu Apr 21, 2011 10:16 am 
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Dr. Brooklyn wrote:
AYBGerrardo wrote:
I was actually referring to the lauded Simpsons spin-off in which he fought crime with Art Spiegelman and Daniel Clowes.

Image

Rubbish.


I can't help but feel like your choice of picture and the use of the name B.J. Novak are some how supposed to be connected...


no :? :roll: ;) :|

i don't think i can make it more sarcastic

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PostPosted: Thu Apr 21, 2011 10:18 am 
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