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WJK
PostPosted: Sun Oct 24, 2010 11:13 pm 
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Dr. Brooklyn wrote:
WJK wrote:

You know what the great thing about downloading the episode is? Depending on the media player, I can just take all color out. VLC for the win.


Yeah... but because I'm waiting to watch it on Halloween I'll just turn the color out of my tv.

Hey I just thought of something, I'm waiting and saving myself... I'm like the Jonas brothers!

Fuck.


Hey Doc, you dropped this

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Dr. Brooklyn
PostPosted: Sun Oct 24, 2010 11:14 pm 
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WJK wrote:

Hey Doc, you dropped this

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Thanks! I thought I put it in my vest pocket as me and my other brothers were going to rock out to some rock songs that don't swear and don't talk about sex!

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WJK
PostPosted: Sun Oct 24, 2010 11:19 pm 
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and now i'm gonna watch the episode in B&W because i can

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Dr. Brooklyn
PostPosted: Sun Oct 24, 2010 11:21 pm 
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WJK wrote:
and now i'm gonna watch the episode in B&W because i can


And I won't because I want to go to heaven

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WJK
PostPosted: Sun Oct 24, 2010 11:23 pm 
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Dr. Brooklyn wrote:
WJK wrote:
and now i'm gonna watch the episode in B&W because i can


And I won't because I want to go to heaven


you really should just get it, it's gonna be edited a bit on tv (it's decently graphic).

let's just say they take "BOOM HEADSHOT" to a new level :D

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Dr. Brooklyn
PostPosted: Sun Oct 24, 2010 11:26 pm 
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WJK wrote:

you really should just get it, it's gonna be edited a bit on tv (it's decently graphic).

let's just say they take "BOOM HEADSHOT" to a new level :D


I might dl it after the episode airs, that way I get hte best of both worlds.

great now i'm into Miley territory

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Lady_Rorschach
PostPosted: Mon Oct 25, 2010 1:30 am 
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Dr. Brooklyn wrote:
WJK wrote:

you really should just get it, it's gonna be edited a bit on tv (it's decently graphic).

let's just say they take "BOOM HEADSHOT" to a new level :D


I might dl it after the episode airs, that way I get hte best of both worlds.

great now i'm into Miley territory


Thank you, Doc, for making me both burst out laughing and hating my twisted mind all in one go.

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AvatarIII
PostPosted: Mon Oct 25, 2010 2:25 am 
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Dog Carcass wrote:
Dr. Brooklyn wrote:
AvatarIII wrote:
Dr. Brooklyn wrote:
Well, maybe he'll grow his hair out over the course of th eshow when barber tools are less present


clearly it wouldn't look the same, he has tight curly hair, book-rick had dead straight hair


Eh, I don't really care if the hair style is the same


Yeah seriously his hair is not a big deal.


just so you know, i don't really care, i just kind of think book-rick looks more bad-ass, and that's partially because of his hair

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Dr. Brooklyn
PostPosted: Mon Oct 25, 2010 8:08 am 
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AvatarIII wrote:
just so you know, i don't really care, i just kind of think book-rick looks more bad-ass, and that's partially because of his hair


I thought it was because of his one handed bad axe-ry.

Lady_Rorschach wrote:
Thank you, Doc, for making me both burst out laughing and hating my twisted mind all in one go.


It's what I do.

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AvatarIII
PostPosted: Mon Oct 25, 2010 8:57 am 
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Dr. Brooklyn wrote:
AvatarIII wrote:
just so you know, i don't really care, i just kind of think book-rick looks more bad-ass, and that's partially because of his hair


I thought it was because of his one handed bad axe-ry.


later on, sure, but at first it was all his hair.

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Dr. Brooklyn
PostPosted: Mon Oct 25, 2010 10:48 am 
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AvatarIII wrote:
later on, sure, but at first it was all his hair.


I think you're thinking of Sampson

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AYBGerrardo
PostPosted: Mon Oct 25, 2010 12:52 pm 
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Ironically, Darabont's last film was far superior in black and white...

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it was tying it into the rape-revenge stories and making light of a verys erious sub-genre that kind of offended me.
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Godziller66
PostPosted: Mon Oct 25, 2010 2:09 pm 
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AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...

I don't really know if I agree with that.

How did the black and white version really add anything?

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Dr. Brooklyn
PostPosted: Mon Oct 25, 2010 2:22 pm 
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AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


THAT'S NOT IRONY! THAT'S COINCIDENCE!!!

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AvatarIII
PostPosted: Mon Oct 25, 2010 2:56 pm 
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AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


why did you watch the mist in b/w?

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AYBGerrardo
PostPosted: Mon Oct 25, 2010 3:10 pm 
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AvatarIII wrote:
AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


why did you watch the mist in b/w?

Empire magazine wrote:
A rare example of essential extras, go straight for Darabont’s original vision. There’s only one change — it’s in black and white. Yet amazingly, this makes all the difference. Almost subliminally, you’re tricked into the mindset of the ’50s drive-in horror flicks from which The Mist is clearly derived. The gritty shooting style and CG effects don’t jar nearly as badly, and the histrionic performances feel just right. It’s a simple, brilliant shift, and you’ll wonder why Dimension ever wanted to release it in colour.

QFT.

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Dr. Brooklyn wrote:
it was tying it into the rape-revenge stories and making light of a verys erious sub-genre that kind of offended me.
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Godziller66
PostPosted: Mon Oct 25, 2010 3:13 pm 
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AYBGerrardo wrote:
AvatarIII wrote:
AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


why did you watch the mist in b/w?

Empire magazine wrote:
A rare example of essential extras, go straight for Darabont’s original vision. There’s only one change — it’s in black and white. Yet amazingly, this makes all the difference. Almost subliminally, you’re tricked into the mindset of the ’50s drive-in horror flicks from which The Mist is clearly derived. The gritty shooting style and CG effects don’t jar nearly as badly, and the histrionic performances feel just right. It’s a simple, brilliant shift, and you’ll wonder why Dimension ever wanted to release it in colour.

QFT.

Call me old fashioned, but I prefer it in color.

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AvatarIII
PostPosted: Mon Oct 25, 2010 3:19 pm 
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AYBGerrardo wrote:
AvatarIII wrote:
AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


why did you watch the mist in b/w?

Empire magazine wrote:
A rare example of essential extras, go straight for Darabont’s original vision. There’s only one change — it’s in black and white. Yet amazingly, this makes all the difference. Almost subliminally, you’re tricked into the mindset of the ’50s drive-in horror flicks from which The Mist is clearly derived. The gritty shooting style and CG effects don’t jar nearly as badly, and the histrionic performances feel just right. It’s a simple, brilliant shift, and you’ll wonder why Dimension ever wanted to release it in colour.

QFT.


was that an actual extra on the DVD or did you just turn colour down all the way?

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Godziller66
PostPosted: Mon Oct 25, 2010 3:24 pm 
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AvatarIII wrote:
AYBGerrardo wrote:
AvatarIII wrote:
AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


why did you watch the mist in b/w?

Empire magazine wrote:
A rare example of essential extras, go straight for Darabont’s original vision. There’s only one change — it’s in black and white. Yet amazingly, this makes all the difference. Almost subliminally, you’re tricked into the mindset of the ’50s drive-in horror flicks from which The Mist is clearly derived. The gritty shooting style and CG effects don’t jar nearly as badly, and the histrionic performances feel just right. It’s a simple, brilliant shift, and you’ll wonder why Dimension ever wanted to release it in colour.

QFT.


was that an actual extra on the DVD or did you just turn colour down all the way?

It's an actual extra.

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AvatarIII
PostPosted: Mon Oct 25, 2010 3:42 pm 
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Godziller66 wrote:
AvatarIII wrote:
AYBGerrardo wrote:
AvatarIII wrote:
AYBGerrardo wrote:
Ironically, Darabont's last film was far superior in black and white...


why did you watch the mist in b/w?

Empire magazine wrote:
A rare example of essential extras, go straight for Darabont’s original vision. There’s only one change — it’s in black and white. Yet amazingly, this makes all the difference. Almost subliminally, you’re tricked into the mindset of the ’50s drive-in horror flicks from which The Mist is clearly derived. The gritty shooting style and CG effects don’t jar nearly as badly, and the histrionic performances feel just right. It’s a simple, brilliant shift, and you’ll wonder why Dimension ever wanted to release it in colour.

QFT.


was that an actual extra on the DVD or did you just turn colour down all the way?

It's an actual extra.


it wasn't on the blu ray i rented a while back :(

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